Candyman (2021) He’s still got it!  Although this time out he’s much more stylized and just as deadly.  Don’t say his name 5 times, it’ll only draw him out.  I’d call this a continuation of the original, yet still a sequel, but this time it’s a struggling artist named Anthony who happens upon the lore of Candyman and the derelict public housing of Cabrini Green which is now a fully gentrified bustling area.   It’s still a horror film, but done slicker, almost like the film is a work of art on the screen, an ode to the character Candyman.  As Anthony descends into the madness, he discovers there was always something more to the legend, and that the plight of today’s world brings a necessity for Candyman.  But, for all it’s vision (and it does look good sans the blood splattering), and it’s storied reach (thanks to Oscar winner Jordan Peele), there’s an element missing.  The original left you scared in real life to utter his name in your own mirror.  After watching this version, it almost felt like a harmless dare to speak it.  You’ll like the urban style, you’ll love the on screen delight for the eyes of a bustling Chicago art scene – you’ll be ho-hum about those who ‘get it’ from Candyman but you’ll revel in the fact that Candyman still lives.  And what is up with #VanessaLWilliams from the original? It’s been 30yrs since the original film and she still looks 25?! You go girl 🙂 B-

Film Synopsis: Anthony is 80, mischievous, living defiantly alone and rejecting the caretakers that his daughter, Anne, encouragingly introduces. Yet help is also becoming a necessity for Anne; she can’t make daily visits anymore and Anthony’s grip on reality is unravelling. As we experience the ebb and flow of his memory, how much of his own identity and past can Anthony cling to? How does Anne cope as she grieves the loss of her father, while he still lives and breathes before her? THE FATHER warmly embraces real life, through loving reflection upon the vibrant human condition; heart-breaking and uncompromisingly poignant – a movie that nestles in the truth of our own lives.

Geek For E Review (Matthew Snider)

This movie is not for the faint of heart nor the weak-minded. What unfolds is a “memento-esque” deep dive into dementia and how it impacts not only the person diagnosed with it but everyone around them as well.

Sir Anthony Hopkins puts in a spectacular performance as Anthony, an aging dad who seems to be quickly on the decline with his understanding of reality in his truly hard-to-watch battle with dementia.

The film takes place mostly in Anthony’s flat of over 30 years, or so it seems. As his mind unravels we are invited into what he sees. Some of which makes sense, yet a lot of which doesn’t. We meet Anne, his daughter and caretaker, and a few other outside characters but it mainly focuses on Anthony and Anne and their ups and downs in navigating this tumultuous relationship and disease impacting The Father.

Not only do the performances pull on your heartstrings, but it also brings you along for a ride on a roller coaster of emotions which is hard to swallow. You see so many sides of this disease ravage both Anthony and Anne that you are left exhausted and confused by the end of the film.

Directed by Florian Zeller, and lead by Sir Anthony Hopkins, Olivia Colman, Mark Gatiss, and many more familiar faces you can’t help but feel for these people, their story, their pains, and figuring out what the next right thing is for each of them.

What plagues this film is the direction giving by Florian. It follows the mind (or lack thereof) of Anthony which takes away from a fluid and linear timeline/story. Due to this “memento-esque” storytelling sometimes you lose the characters and their storyline amongst trying to figure out what the hell is going on.

While this technique is used to show the sheer confusion of dementia itself, it takes away from the storyline and the pain suffered by all a little too much.

The Father is a behind-the-scenes look into this degrading, frustrating, and life-altering disease that impacts more than 6 million Americans, and more than 50 million worldwide. 

It is a film that brings to the light family, and the senior years, and all that can come with it. The Father brings to the screen a story that is almost always behind closed doors, a story that asks you to suffer alongside its characters, to feel for them, to want to help, and to just sit and hold them. 

The Father is a film I recommend you to see, albeit with a box of tissues nearby.

Judas and the Black Messiah tells the true story of the rise of Fred Hampton (Kaluuya) as the revolutionary leader of the Black Panther Party and how the organization is infiltrated, and he is ultimately assassinated with the help of a fledgling crook named Bill O’Neal (Stanfield) supported by an unscrupulous FBI system led by J Edgar Hoover (Martin Sheen).   

First and foremost, major props to Director Shaka Smith.  He is young, but learned, as this is his first true feature film and he succeeds admirably with his tone and angle usage.  The tension the audience feels with the inevitable betrayal and death of its lead character was palpable from the opening scene (and the lead wasn’t even in it).  It’s not surprising he was given the helm of this subject matter (he co-wrote the screenplay) and we even chimed in to ask why he wanted to make a film focused on the Black Panthers?  “The Panthers led with love,” he said.  It’s that type of passion that led him to make what he calls “a vast film, a dense film.”  He succeeded, watch the film.  You’ll see it’s range, its power to incite, Hampton’s propensity to love through a sea of racial hatred and most importantly ‘feel’ what it’s like to be a ‘Judas.’

Lead performances here are no surprise from Daniel Kaluuya (Fred Hampton) and Lakeith Stanfield (Bill O’Neal).  Kaluuya is a past Oscar nominee, I knew he could handle the subject matter but asked all the same what drove you to portray Hampton in the film?  Said Kaluuya, “his love for his people and I’m humbled and honored.”  What I wanted to see  (and have not from his past work) is his ability to feel.  To show a loving touch and nature.  His relationship with Deborah Johnson (mother to his unborn child, played masterfully by Dominique Fishback…more on her later) is where I hoped he could prove it.  And he did.  His ability to be softer and accessible and still be convincing as a revolutionary leader is what I needed to see, and I did (all without dropping his accent).  He’ll get an awards nod for this, but regrettably, he won’t win it.  Not because he isn’t that good with the character, but I’ve seen the Best Actor winner already (no spoilers from a Geek!)

Lakeith Stanfield who portrays the ‘Judas’ that is Bill O’Neal gets a nod and hats off from me.   It’ll be sensitive to read, but I’ll write it all the same – he brings (to me) a bit of Richard Pryor ‘scared n*gga’ to his roles which seems to fit this film perfectly, after all he’s portraying a Judas – he should be afraid.  Not in his dialogue, but in his eyes when it’s needed.  From the opening scene which showcases his characters range as a thief, you can see an underlying fear which stays with him as he confidently infiltrates the Panthers, rises through its ranks, deals with the FBI and even becoming Head of Black Panther security.  All the while with a confident but doomed look for the fraud he knows he is.   There’s a moral burden even portraying such a character, and he spoke about it at great length.

The unsung hero here is relative newcomer but soon to be household name, Dominique Fishback who portrays the lead character Hampton’s empowering, viscerally literal, and fierce girlfriend and fiancé.   I had to look up the actress, could there be anything in her past work that showed an inkling of what she poured out here?  From her introduction, playing a waifish adorizing young girl – her delivery was perfect.  Deifying Hampton but still with a mind of her own – hats off to Director/writer Shaka King for writing her well and major ups to the make-up/production crew for her onscreen appearance.  I thought she was 16 when her character meets Hampton for the first time at a rally, I had to Google to find out, the actress is nearing 30yo.  You go girl, reached right back into that younger time and brought her through with shining colors, I hope the awards machine sees you this season.

See this film people, if not for its social relevancy – than just to get a bit of education in Black History month.  Do you really know what the Black Panthers were all about?  A- #JudasandtheBlackMessiah