Matrix, Resurrections (2021) A-. They should have called it Matrix Redemptions; it erased the stench of the 2nd and 3rd installments. It was fresh, it what was logically next for the Matrix on film and for the lore of how the Matrix system worked. It was a bit long at 2hrs+ and for me, a little short on ‘money shot’ effects. Thankfully, it’s still a love story at its core, centered around the two we know (even if this time they don’t know each other). You don’t need to have seen Reloaded or Revolutions to feel right at home in this one. It’s the original Matrix film…essentially resurrected (no spoilers!) The opening scene sets the tone for a sweet ride down memory lane via the first film (keep your eyes open and if you can, watch the original before catching this one!). #MatrixStillHasIt #MatrixMovie #MatrixBaltimore
Buster Moon is at it again! Only this time, you’ll feel a bit different about it. Sing 2 thumps into theaters and On Demand this holiday weekend and hopes to entice you and your little ones back for some high flying adventure and super cool pop tunes like the original. All the cast is back including some newcomers (Singers Halsey & Bono as well as Letitia Wright to name a few), and they’re trying to put on an epic show anchored by a retired rock-and-roll star who is reluctantly pulled back into showbiz. For me, this one is a miss – not because it’s almost 2 hours long (is that necessary?), and not because it’s the same awesome pop-music & hijinks formula as the original. For me, it misses because it’s not inspiring, nor original. You know the show will happen; you know it’ll be epic – but where’s the character growth? Even Rosita (the worrywart pig voiced by Reese Witherspoon), and Meena (the shy elephant voiced by Tori Kelly) are the same tepid characters who big shock, overcome it again in the 3rd act. I loved the song selections (covering the 70’s thru today), the coloring was masterful (the Ms. Crawly chase scene was amazing!), but it doesn’t make the film, and your little ones will fade away a bit, it’s just too long. I’m giving this one a C+; see it if you have kids who need some new ‘food’ and loved the original. Heck, watch it if you dig pop music through the years, but I defy you to not think you’re watching Zootopia 2 in between the song numbers.
HOME MOVIE SCREENING: Black As Night (THU 09.30.21 @ 9PM @ Your House!) The horror macabre lovers at Blumhouse TV & Amazon Studios are back at it. This time with an eerie new tale of a resourceful black teenage girl who takes on a group of deadly vampires down in the creole of New Orleans. This is no standard vampire tale as our 15yo heroine frantically fights the masses while trying to turn her friends back into human beings. What’s a young girl to do? Why not find out with us! This is a special contest that not only gets you streaming access for 2 to the film, but you also get an exclusive invite to the online after-party with the stars of the film, filmmakers, producers, acting talent and a LIVE DJ! This is the Halloween jam you and your friends have been looking for, so why not post a pic on our Facebook page, win some tix and catch the horror! Look for us on Facebook @geekfore and start posting! #staygeeky #Blumhouse #Black As Night
You know we like you to show your love of the studio and this one is no different. Post up any image, any meme for any past Blumhouse movie (don’t know any? IMDB is your friend!). Add the hashtag #blumhouse and you’re all set. If we LIKE your post, please send us both names and email addresses for you and your online guest. We’ll send that to the studio who will send you the unique access codes for the online movie screening and party! In a rare twist, we’re also allowing you to win more than once (we may LIKE many of your posts!). If you are LIKE’d more than once, you must provide unique names/email addresses for the studio to send the access codes to!
Starring Michael B. Jordan, Jamie Bell, Jodie Turner-Smith, Lauren London, Brett Gelman, Jacob Scipio, Jack Kesy, Colman Domingo, Todd Lassance, Cam Gigandet, Luke Mitchell and Guy Pearce
An elite Navy SEAL uncovers an international conspiracy while seeking justice for the murder of his pregnant wife in Tom Clancy’s Without Remorse, the explosive origin story of action hero John Clark – one of the most popular characters in author Tom Clancy’s Jack Ryan universe. When a squad of Russian soldiers kills his family in retaliation for his role in a top-secret op, Sr. Chief John Kelly (Michael B. Jordan) pursues the assassins at all costs. Joining forces with a fellow SEAL (Jodie Turner-Smith) and a shadowy CIA agent (Jamie Bell), Kelly’s mission unwittingly exposes a covert plot that threatens to engulf the U.S. and Russia in an all-out war. Torn between personal honor and loyalty to his country, Kelly must fight his enemies without remorse if he hopes to avert disaster and reveal the powerful figures behind the conspiracy. The film is rated R with a running time of 110 minutes.
We want your Michael B image/meme posts – in all his glory (keep it PG-13 though). Go back to the Facebook post that brought you here and start posting images of Michael B Jordan with the hashtag #WithoutRemorse.
If GeekForE ‘LIKE’s’ your Facebook post, you are a winner and we’ll Inbox you your unique redemption code to stream the movie the day before it opens (THU 04.29.21 @ 7PM). If GeekForE ‘LOVE’s’ your post, then you’re one of our two World Premiere/VIP prize winners and we’ll send you details on how to attend the VIP screening on THU 04.29.21 @ 8PM. Now go get posting and don’t forget the hashtag!
Film Synopsis: Anthony is 80, mischievous, living defiantly alone and rejecting the caretakers that his daughter, Anne, encouragingly introduces. Yet help is also becoming a necessity for Anne; she can’t make daily visits anymore and Anthony’s grip on reality is unravelling. As we experience the ebb and flow of his memory, how much of his own identity and past can Anthony cling to? How does Anne cope as she grieves the loss of her father, while he still lives and breathes before her? THE FATHER warmly embraces real life, through loving reflection upon the vibrant human condition; heart-breaking and uncompromisingly poignant – a movie that nestles in the truth of our own lives.
Geek For E Review (Matthew Snider)
This movie is not for the faint of heart nor the weak-minded. What unfolds is a “memento-esque” deep dive into dementia and how it impacts not only the person diagnosed with it but everyone around them as well.
Sir Anthony Hopkins puts in a spectacular performance as Anthony, an aging dad who seems to be quickly on the decline with his understanding of reality in his truly hard-to-watch battle with dementia.
The film takes place mostly in Anthony’s flat of over 30 years, or so it seems. As his mind unravels we are invited into what he sees. Some of which makes sense, yet a lot of which doesn’t. We meet Anne, his daughter and caretaker, and a few other outside characters but it mainly focuses on Anthony and Anne and their ups and downs in navigating this tumultuous relationship and disease impacting The Father.
Not only do the performances pull on your heartstrings, but it also brings you along for a ride on a roller coaster of emotions which is hard to swallow. You see so many sides of this disease ravage both Anthony and Anne that you are left exhausted and confused by the end of the film.
Directed by Florian Zeller, and lead by Sir Anthony Hopkins, Olivia Colman, Mark Gatiss, and many more familiar faces you can’t help but feel for these people, their story, their pains, and figuring out what the next right thing is for each of them.
What plagues this film is the direction giving by Florian. It follows the mind (or lack thereof) of Anthony which takes away from a fluid and linear timeline/story. Due to this “memento-esque” storytelling sometimes you lose the characters and their storyline amongst trying to figure out what the hell is going on.
While this technique is used to show the sheer confusion of dementia itself, it takes away from the storyline and the pain suffered by all a little too much.
The Father is a behind-the-scenes look into this degrading, frustrating, and life-altering disease that impacts more than 6 million Americans, and more than 50 million worldwide.
It is a film that brings to the light family, and the senior years, and all that can come with it. The Father brings to the screen a story that is almost always behind closed doors, a story that asks you to suffer alongside its characters, to feel for them, to want to help, and to just sit and hold them.
The Father is a film I recommend you to see, albeit with a box of tissues nearby.
Judas and the Black Messiah tells the true story of the rise of Fred Hampton (Kaluuya) as the revolutionary leader of the Black Panther Party and how the organization is infiltrated, and he is ultimately assassinated with the help of a fledgling crook named Bill O’Neal (Stanfield) supported by an unscrupulous FBI system led by J Edgar Hoover (Martin Sheen).
First and foremost, major props to Director Shaka Smith. He is young, but learned, as this is his first true feature film and he succeeds admirably with his tone and angle usage. The tension the audience feels with the inevitable betrayal and death of its lead character was palpable from the opening scene (and the lead wasn’t even in it). It’s not surprising he was given the helm of this subject matter (he co-wrote the screenplay) and we even chimed in to ask why he wanted to make a film focused on the Black Panthers? “The Panthers led with love,” he said. It’s that type of passion that led him to make what he calls “a vast film, a dense film.” He succeeded, watch the film. You’ll see it’s range, its power to incite, Hampton’s propensity to love through a sea of racial hatred and most importantly ‘feel’ what it’s like to be a ‘Judas.’
Lead performances here are no surprise from Daniel Kaluuya (Fred Hampton) and Lakeith Stanfield (Bill O’Neal). Kaluuya is a past Oscar nominee, I knew he could handle the subject matter but asked all the same what drove you to portray Hampton in the film? Said Kaluuya, “his love for his people and I’m humbled and honored.” What I wanted to see (and have not from his past work) is his ability to feel. To show a loving touch and nature. His relationship with Deborah Johnson (mother to his unborn child, played masterfully by Dominique Fishback…more on her later) is where I hoped he could prove it. And he did. His ability to be softer and accessible and still be convincing as a revolutionary leader is what I needed to see, and I did (all without dropping his accent). He’ll get an awards nod for this, but regrettably, he won’t win it. Not because he isn’t that good with the character, but I’ve seen the Best Actor winner already (no spoilers from a Geek!)
Lakeith Stanfield who portrays the ‘Judas’ that is Bill O’Neal gets a nod and hats off from me. It’ll be sensitive to read, but I’ll write it all the same – he brings (to me) a bit of Richard Pryor ‘scared n*gga’ to his roles which seems to fit this film perfectly, after all he’s portraying a Judas – he should be afraid. Not in his dialogue, but in his eyes when it’s needed. From the opening scene which showcases his characters range as a thief, you can see an underlying fear which stays with him as he confidently infiltrates the Panthers, rises through its ranks, deals with the FBI and even becoming Head of Black Panther security. All the while with a confident but doomed look for the fraud he knows he is. There’s a moral burden even portraying such a character, and he spoke about it at great length.
The unsung hero here is relative newcomer but soon to be household name, Dominique Fishback who portrays the lead character Hampton’s empowering, viscerally literal, and fierce girlfriend and fiancé. I had to look up the actress, could there be anything in her past work that showed an inkling of what she poured out here? From her introduction, playing a waifish adorizing young girl – her delivery was perfect. Deifying Hampton but still with a mind of her own – hats off to Director/writer Shaka King for writing her well and major ups to the make-up/production crew for her onscreen appearance. I thought she was 16 when her character meets Hampton for the first time at a rally, I had to Google to find out, the actress is nearing 30yo. You go girl, reached right back into that younger time and brought her through with shining colors, I hope the awards machine sees you this season.
See this film people, if not for its social relevancy – than just to get a bit of education in Black History month. Do you really know what the Black Panthers were all about? A- #JudasandtheBlackMessiah
Judas and the Black Messiah tells the true-life story of Fred Hampton who was the Chairman of the Illinois Black Panther Party that was fatefully betrayed by an FBI placed informant into the organization. Academy Award nominee Daniel Kaluuya (Get Out) stars as Hampton, with thriller alum LaKeith Stanfield (Sorry To Bother You) starring as William O’Neal the fateful betrayer.
Find the Facebook post from us that brought you here and post up your best homages to actor Daniel Kaluuya, LaKeith Stanfield or meme a message on the Black Panther Party. You can get creative with your posts, just stay PG-13. To be eligible, YOU MUST add the hashtag #JudasAndTheBlackMessiah to your post. If GeekForE ‘LIKE’s’ your post, you are a winner and we’ll Inbox you your unique redemption code. The code can be used at participating movie theaters or through Fandango online (we’ll send you the additional details!) Facebook voting begins right now, and all LIKE’s will be issued by THU 02.11.21 (just in time for the show!)
The future ain’t what it used to be.
DreamWorks Animation’s THE CROODS: A NEW AGE is on PVOD this Friday, December 18th
The Croods have survived their fair share of dangers and disasters, from fanged prehistoric beasts to surviving the end of the world, but now they will face their biggest challenge of all: another family
The Croods need a new place to live. So, the first prehistoric family sets off into the world in search of a safer place to call home. When they discover an idyllic walled-in paradise that meets all their needs, they think their problems are solved … except for one thing. Another family already lives there: the Bettermans.
The Bettermans (emphasis on the “better”)—with their elaborate tree house, amazing inventions and irrigated acres of fresh produce—are a couple of steps above the Croods on the evolutionary ladder. When they take the Croods in as the world’s first houseguests, it isn’t long before tensions escalate between the cave family and the modern family.
Just when all seems lost, a new threat will propel both families on an epic adventure outside the safety of the wall, one that will force them to embrace their differences, draw strength from each other and forge a future together.
The Croods: A New Age features the voice talent of returning stars Nicolas Cage as Grug Crood, Catherine Keener as Ugga Crood, Emma Stone as their daughter, Eep; Ryan Reynolds as Eep’s boyfriend, Guy; Clark Duke (Hot Tub Time Machine) as Thunk and Cloris Leachman as Gran. They’re joined by new stars Peter Dinklage (HBO’s Game of Thrones) as Phil Betterman, Leslie Mann (Blockers) as Hope Betterman, and Kelly Marie Tran (Star Wars: Episode VIII-The Last Jedi) as their daughter, Dawn.
The film is directed by Joel Crawford, who has worked on multiple DreamWorks Animation films, including Trolls and the Kung Fu Panda franchise, and is produced by Mark Swift (Captain Underpants: The First Epic Movie, Madagascar 3: Europe’s Most Wanted).
Genre: Animated Comedy
Cast: Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman, Clark Duke, Leslie Mann, Peter Dinklage, Kelly Marie Tran
Directed by: Joel Crawford
Produced by: Mark Swift
Don’t call it a comeback geeky faithful, we’ve been here through all this crazy COVID stuff but we’re not letting it get us down. If you can’t go in a theater, how about going to one outside? Sounds crazy for Millenials, but Gen X & Y know all about drive in-movies and now with coronavirus at our door, drive-ins are making a comeback. Luckily we have one here in the Maryland area (also another a bit up north and further south in VA, but that’s a story for another day). The good news is, the movie studios are embracing the drive-in format to promote new and old films. Now, let’s not get carried away when we start thinking about what the film selections will be in the drive-in format. It’s extremely unlikely that say, Warner Bros will make a special 70MM to drive-in movie format copy of their incredible new sci-fi thriller ‘Tenet’ which was due to come out like five months ago. But it is very likely they’ll dust off some of their older, quality and entertaining releases to the drive-in format. And that brings us to our special ticket giveaway for this week courtesy of Amazon Studios & actor/producer Michael B Jordan (Creed, Fantastic Four). Check the details below the banners and we hope to see you (and all the humans you can comfortably, and social distance style, fit into your car) at the movies!
Amazon Studios and Michael B. Jordan’s Outlier Society present to you ‘A Night At The Drive-In.’ A nation-wide screening of selected films celebrating multi-cultural voices. This week, nation-wide is your opportunity to catch Spike Lee’s 1989 comedy-drama-thriller, ‘Do The Right Thing.’ The film centers on one of the hottest days in 1980’s Brooklyn and the simmering racial tensions that come to the surface as the heat heightens; culminating into a powerful and thought-provoking narrative about race, class, gender and even ageism in America. One of Lee’s best works and it cemented him as a versatile, opinionated and worldly Director. Directly following that film, will be Jordan Peele’s 2018 thriller ‘Get Out.’ Set against the backdrop of current day America, the film takes you on a journey deep into the bowels of race, trust, prejudice, belief, love, and betrayal (of yeah, there’s some comic relief too). The world knew writer and Director Jordan Peele had talent from his previous work in comedic stage and TV acting, but winning the Oscar for Best Original Screenplay for this film cemented his moxie and slow draw film style into the cinematic landscape.
We’re super stoked that Michael B and Amazon are doing this and when asked why he was embarking on such a bold summer move, he said “with this drive-in summer series, I hope that friends and families are able to not only enjoy, but to learn and grow. Now more than ever, amplifying Black and Brown stories means engaging culture to speak to hearts and minds about the world we live in. As we use this opportunity to reimagine community and proximity, I am excited that these films will be shared and celebrated all across the country.”
Box offices opens @ 7PM and closes at 10PM – you are free to arrive and claim your ticket anywhere in between. The first film begins @ 8:30PM (hey…the sun has to go down right?). COVID policies are in effect – you must wear a facemask for entry and there is a $15 charge to bring in outside food.
TICKETS: Check our Facebook page, that’s where the ticket code will be posted in the 9PM hour (FRI 08.07.20)
Some helpful tips for attending films @ Bengies:
- The theater and box office open at 7PM, and best seating goes to those who get there early, but NOTE! 4×4’s and SUV’s only get one row of dead center parking (at the back of the lot), otherwise you are located to the 45 degree left or right of the screen
- You are not allowed to run your car during the film. If you try and cheat by turning the key over without engaging the engine (cause you need some AC bad), make sure your car battery is strong. If not, no worries, Bengies is prepared with mobile car jumpers (no charge), however, once they start your car – you will have to leave the facility
- You cannot sit any higher than your vehicle. What does that mean? If you drive in with a Ford F150 with a nice towbed and decide you’ll place your lawn chairs in the bed to get as high a seat as possible…you’ll be asked to take them down. In fact, Bengies has staff wandering around with stretches of rope to help you bring your rear hatch doors down to no higher than your vehicle’s height.
- Don’t test them on the personal food. If you plan to bring your own food, pay the $15 fee at the gate. There are roaming Bengie staff looking for you, and they know what their food items look like! You’ve been warned.
Candyman (2021) He’s still got it! Although this time out he’s much more stylized and just as deadly. Don’t say his name 5 times, it’ll only draw him out. I’d call this a continuation of the original, yet still a sequel, but this time it’s a struggling artist named Anthony who happens upon the lore of Candyman and the derelict public housing of Cabrini Green which is now a fully gentrified bustling area. It’s still a horror film, but done slicker, almost like the film is a work of art on the screen, an ode to the character Candyman. As Anthony descends into the madness, he discovers there was always something more to the legend, and that the plight of today’s world brings a necessity for Candyman. But, for all it’s vision (and it does look good sans the blood splattering), and it’s storied reach (thanks to Oscar winner Jordan Peele), there’s an element missing. The original left you scared in real life to utter his name in your own mirror. After watching this version, it almost felt like a harmless dare to speak it. You’ll like the urban style, you’ll love the on screen delight for the eyes of a bustling Chicago art scene – you’ll be ho-hum about those who ‘get it’ from Candyman but you’ll revel in the fact that Candyman still lives. And what is up with #VanessaLWilliams from the original? It’s been 30yrs since the original film and she still looks 25?! You go girl 🙂 B-
(G4E Reviewer: Matthew Snider) I went into this film blind, as in knowing nothing, seeing nothing, something that put me in a good place to really dive into the drama that unfolded.
The Mauritanian or prisoner 760 is based on a true story about one of the hundreds of detainees that were unlawfully kept in-prisoned in Guantanamo Bay after the 9/11 attacks on US soil.
The premise as described on Wikipedia is as follows: The film follows Mohamedou Ould Salahi (Rahim), who is captured by the U.S. government and languishing in Guantanamo Bay detention camp without charge or trial. Losing all hope, Salahi finds allies in defense attorney Nancy Hollander (Foster) and her associate Teri Duncan (Woodley). Together, they face countless obstacles in a desperate pursuit for justice. Their controversial advocacy, along with evidence uncovered by formidable military prosecutor, Lt. Colonel Stuart Couch (Cumberbatch), eventually reveals a shocking and far reaching conspiracy.
The Mauritanian brings to light a true story of one Mo Salahi who unravels and is built up all throughout this wonderful film. The pain, the confusion, the hatred, the broken hope and the restoration and forgiveness that is woven in and around this drama is one to really sit with.
The film brings together a heart breaking story of truth and lies, of death and life, of despair and hope, and of good and evil.
Yet it doesn’t have a villain.
Not the justice system, not the guards at Gitmo, not the Christian attorney or even the Islamic people group as a whole. This film really shows you people. Hurting and lost people.
In some of the last words we hear from Mo at the ending of the film, he explains to the judge that in the Arabic language, the word for Freedom and Forgiveness is the same.
With this powerful line delivered with such heart and faith, it truly gives us a picture of what humanity, in such a time as this, really needs to look too.
We need to believe the best about each other, and to forgive so that we can find freedom in all our circumstances. The Mauritanian is a film of black and whites, and a large grey area, but plays on both sides of the line. It plays on your heart strings and asks you to see people, not just a movie.
4 out of 5 stars (Matthew Snider, G4E)