Geek For E!

Movie Review: Kon-Tiki

There are stories I’ve never gotten my greedy little hands on simply because I figured they were “Dude books”.  Call of the Wild.  Treasure Island.  Zen and the Art of Motorcycle Maintenance.  Anything by Ernest Hemingway (okay, that’s because I’m not a fan of his writing style.  And also, dudebook.)  Kon-Tiki was in there too, because I couldn’t see how a voyage across the ocean in a little raft could possibly appeal to me.  But if the book is as exciting as the movie Kon-Tiki, I owe that book a huge apology.  Huge.  This dramatic retelling of the story of one man’s quest to prove his theories makes me want to not only read the book, but see the original (Academy Award winning ) 1951 documentary.  Yeah, Kon-Tiki is that good.

 It’s just after World War II.  Naturalist, anthropologist and all-around adventure guy Thor Heyerdahl (Pål Sverre Hagen, in all his retro/40s-era matinee idol glory) is in Polynesia studying life, the universe and everything.  The natives tell Thor that they arrived in Polynesia from the West.  But all the great Western minds had decided these natives arrived from the East.  I mean really; who could sail across that wide expanse of sea in only a lashed-together log raft?  Thor sees that as a gauntlet thrown, and decides to do just that.  With a small group of friends, he takes off from Peru to try to reach Polynesia as Tiki, the native god that islanders believe populated their islands, did.

But will he make it?  Considering this movie is based on the book written by Heyerdahl after his expedition, and that I’ve already referenced his documentary of said expedition?  You can pretty much guess that answer.  Still, as other great docudramas have done before (like Titanic, All The President’s Men, Schindler’s List, and Argo), Kon-Tiki keeps viewers invested in the characters/individuals by weaving together expert storytelling and stunning visuals.

kon-tiki

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Movie Review: Chicken With Plums

It’s a beautiful look at Iran years before the Shah was overthrown and the country went through it’s changes.  But the bittersweet loveliness doesn’t translate into an engrossing film.  Instead, Chicken With Plums is a film that looks tasty when it heads your way, has it’s tasty bits here and there, but ultimately leaves an unsatisfied aftertaste.

Nasser Ali Khan, a brilliant world-renown violinist, has suffered the ultimate heartbreak for a musician; the loss of his beloved violin.  He searches for a replacement, but can find nothing to compare.  So he decides that since life is no longer worth living, he will go ahead and die.  Taking to his bed, he settles in to wait for the inevitable.  As he waits, the story of his life and the lives of those around him are told in flashbacks, letting you see what happened in his life to make Khan the man he is.

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Movie Review — Ai Weiwei: Never Sorry

In a world full of information, how do you figure out what’s truly important?  How do you make sure you learn about the world if there are parts of that world that are hidden from view?  Artist and political/social dissident Ai Weiwei (as his name is Chinese, his “surname” is first, and his “first” name is second, got it?) shines a harsh light on the Chinese Government’s corruption, cover-ups and lies, at great personal risk.  All the while creating art that is as breathtaking in it’s complexity as is the man himself.  Ai Weiwei: Never Sorry takes viewers through the most harrowing years of Ai’s life, showing not only the man but the injustice that lead him to act.  It’s a powerful, thought-provoking film that demands to be watched.

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Movie Review: The Intouchables

I look at foreign films with subtitles as I would any film in my native tongue; is it an interesting movie?  Will I be drawn in?  Reading bits at the bottom of a screen has never been a problem for me if the film is good.  So if you’re on the fence about The Intouchables (a French film that has become so popular that it’s France’s highest-grossing non-English language film) don’t worry about reading.  This film will suck you in, and before long you’ll be eagerly awaiting the next bit of text.  Like champagne — another import from France I adore — The Intouchables is a bubbly bit of fun with just the right balance of bitter and sweet.


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Movie Review: Footnote (Hearat Shulayim)

Boy meets Talmud.  Boy falls for Talmud and devotes his whole life to it’s study.  But all he gets by way of recognition is a small footnote in someone else’s book…while his son goes on to greatness with his own research.  In Footnote, the different ways these scholars research only serves to illustrate the gulf between them.  This film is more a character study than a look inside the politics of the Israel Prize, but the seamless way director/writer Joseph Cedar blends the two creates a film that is a simple, but fascinating,  success.

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Movie Review: The Skin I Live In

Take bits of Frankenstein and Fall of the House of Usher, add a touch of Pygmalion and…well, if I mention the fourth film that comes to mind I’d give away a major plot point of the movie.  Trust me that it’s an unusual, messed up concoction of obsession, desire and science that only Pedro Almodóvar could bring to the screen.  Based on the novel Mygale (also known as Tarantula) by Thierry Jonquet, The Skin I Live In takes you on a winding, dark road to a conclusion that is repulsive and fascinating.  This movie may not be for everyone — Almodóvar can be an acquired taste — but if you’re looking for a jaw-dropping experience, this is the ticket.  I only wish it had opened in time for Halloween, since it has a feel that’s tailor-made for that holiday.


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